The Firste Booke of Songes, 1597: No. 17, Come Again, Sweet Love doth Now Invite
The Third and Fourth Booke of Ayres, 1617: No. 14, Neuer loue vnlesse you can
The Third and Fourth Booke of Ayres, 1617: No. 1, Oft have I sigh'd for him that hears me not
The Third and Fourth Booke of Ayres, 1617: No. 7, If thou long'st so much to learn
The Third and Fourth Booke of Ayres, 1617: No. 25, Fain would I wed a fair young man
Hymn "Sleep, Adam", Z. 195: "Sleep, Adam, sleep and take thy rest"
Hymn "Lord, what is Man?", Z. 192: "Lord, what is man, lost man"
My lovely Celia: "My lovely Celia, heav'nly fair"
Tell me, lovely shepherd (Arr. Poston)
Where the bee sucks (from "Nine Shakespeare Songs by Thomas Augustine Arne, 1763")
Select Ayres and Dialogues, 1669, Book 3: No. 29, A Dialogue Upon a Kisse, "Among thy fancies tell me this … I shall resolve you"
A Dialogue between Charon and Philomel: "Charon! O gentle Charon! … What voice so sweet" (Philomel, Charon)
A Dialogue between Daphne and Strephon: "Come, my Daphne … 'Tis Strephon calls" (Strephon, Daphne)
Giù nei Tartari Regni, Duet, HWV 187: "Giù nei Tartarei regni v'andrem madonna" (Soprano, Bass)
Quando in calma ride il mare, Duet, HWV 191: "Quando in calma ride il mare" (Soprano, Bass)
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 3, Duet, "Sound the trumpet, sound, till around" (Arr. for 2 Voices and Piano)
Pausanias, the Betrayer of his Country, Incidental Music, Z. 585: No. 2, Song, "My dearest, my fairest" (Arr. for 2 Voices and Piano)
The Maid's Last Prayer or Any Rather Than Fail, Incidental Music, Z. 601: No. 2, Song, "No, resistance is but vain" (Arr. for 2 Voices and Piano)
King Arthur, Z. 628, Act 2 Scene 2: No. 15, Air, "Shepherd, leave decoying" (Arr. for 2 Voices and Piano)
English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)
English Lyrics, Set No. 5: No. 2, Proud Maisie, "Proud Maisie is in the wood" (Allegretto)
La Belle dame sans merci: "O what can ail thee, knight-at-arms"
Linden Lea - A Dorset Song: "Within the woodlands, flow'ry gladed" (Andante con moto)
3 Songs, Op. 3: No. 1, Love's Philosophy, "The fountains mingle with the river" (Very quick and passionate)
Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)
The Fields Are Full: "The fields are full of summer still"
Pretty Ring Time: "It was a lover and his lass"
Rest: "On me to rest, my bird my bird"
Corpus Christi Carol (Arr. for High Voice of the 5th Variation from "A Boy Was Born", Op. 3)
Comin' Thro' the Rye (Children's Song, Arr. Robert Burns)
5 Shakespeare Songs: No. 1, Orpheus, "Orpheus with his lute made trees" (Allegro moderato)
English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)
Bushes and Briars, Roud 1027 (English Folksong from Essex, Unaccompanied Version)
5 Shakespeare Songs, Set No. 2, Op. 23: III. It was a lover and his lass (Allegretto moderato)
Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)
Irish Country Songs, Volume I: No. 7, I know where I'm goin' (Moderato)
5 Traditional Songs of France: III. Me soui mesocu danso, "Me suis mis en danse" (after Traditional from Quercy)
Gavotte: "Memories long in music sleeping"
Let Us Garlands Bring, on Poems by Shakespeare, Op. 18: V. It was a lover and his lass
Drink to Me only with Thine Eyes (Arr. Ronald Kinloch Anderson)
Spring Symphony, Op. 44, Pt. 2: VIII. Out of the lawn lie in bad (Alto, Chorus)
Troilus and Cressida, Act 2 Scene 1: "How can I sleep?" (Cressida)
Troilus and Cressida, Act 2 Scene 1: "At the haunted end of the day" (Cressida)
Troilus and Cressida, Act 3 Final Scene: "Diomede!... Father!... Pandarus!" (Cressida)
